Catalog. “It’s a giggle!” he wrote to his friend Toby Rabiner of his decadent European existence. Interview Paintings: 1972-1989 “Sometimes people think I do the cover of Interview. Richard Bernstein, Pilules (Giallo/Porpora), 1965. But Richard’s faces are wonderful. Published by Rizzoli in Richard Bernstein: STARMAKER by Roger Padilha and Mauricio Padilha. Original Photographs.
Paintings. They’re so colorful & he makes everyone look so famous.” — Andy Warhol. …
Courtesy of The Richard Bernstein Estate Archive. Richard Bernstein is best known for his two-decade career as the cover artist for Andy Warhol’s Interview magazine, where his flawless recreations of celebrities – Grace Jones, Madonna, Aretha Franklin, Diana Ross, and Mick Jagger among them – remain a colourful document of the era. Cover of Inside Story, 1986. Photo by Andreas Hofweber. It was a time when anyone could be a star, and Bernstein’s portraits helped catapult them there.
There, with his lover Jon Streep footing the bill, he caroused with movie stars like Alain Delon and rock stars like Mick Jagger. The Tin Man’s Heart. In one of the most-Instagrammed moments of NYFW, his work appeared at Coach Why? Published by Rizzoli in Richard Bernstein: STARMAKER by Roger Padilha and Mauricio Padilha. His father owned Supreme Fashions, a company that manufactured men’s suits; his mother was a trained classical pianist. January 1980.
1970s; 1980s; Paintings; Richard Bernstein. 4,037 Followers, 1,444 Following, 717 Posts - See Instagram photos and videos from Richard Bernstein Pop Art (@richardbernsteinart) After a brief spell in London during the infamous ‘Swinging Sixties’ he returned once again to New York, taking rooms at the Chelsea Hotel as it became the centre of the New York art scene (he would remain there until his death in 2002) and socialising at Warhol-stomping ground Max’s Kansas City; later, Studio 54. Further artworks from Bernstein appeared throughout: Michael J Fox’s trippy 1988 cover and an earlier 1969 portrait of Barbra Streisand (the latter providing the most Instagrammed moment of fashion week so far). Since Bernstein’s heyday, his own star has dimmed; today, his name and impact aren’t widely recognized.
It’s a mad, mad whirl of a life!”, After returning to New York in 1968, Bernstein found a loft in the Chelsea Hotel, where he lived and worked near photographer, While Bernstein had idolized Warhol for years, Warhol had only recently been introduced to the younger artist’s work—in particular, Bernstein’s no-holds-barred illustrations in, At the time, Warhol was rebranding the avant-garde film magazine.
Cover of “Love on Top of Love” 12-inch single, 1989. What Richard did when he came in was make current celebrities look like a Jean Harlow magazine cover in the 20s and 30s.
Interview Covers: 1980-1989. Tatum O’Neal. Courtesy of The Richard Bernstein Estate Archive. Assemblage on hand-sewn canvas, 66 x 48 inches. Richard at his Chelsea Hotel studio, 1974 Although most widely known as the creator of Andy Warhol’s Interview Magazine distinctive covers for 17 years, the career of Richard Bernstein reaches to the farthest horizons.
Bernstein achieved these idealized portraits by doctoring photographs the old-fashioned way.
“Richard Bernstein portrays stars. Published by Rizzoli in Richard Bernstein: STARMAKER by Roger Padilha and Mauricio Padilha. It was with photographer Peter Hujar that Bernstein began his career in magazines, working with him on Newspaper and Picture Newspaper, short-lived publications which documented the city’s underground queer scene (one iconic cover, created by Bernstein, featured a topless Candy Darling floating in the clouds). Interview was a place that helped restore that glamour. Official catalog of pop artist Richard Bernstein who created the covers of Interview Magazine from 1972-1989. This week in New York, British designer Stuart Vevers showed his latest collection for American fashion behemoth, Coach. Official catalog of pop artist Richard Bernstein who created the covers of Interview Magazine from 1972-1989. What does it take to become a star? For nearly 20 years he was the cover artist for Interview Magazine. A bright collision of beginnings – past and present,” read the release. Photo by Andreas Hofweber. Richard, Grace and Steve Newman. Richard Bernstein, Art for Interview cover of Madonna. Richard Bernstein, Original mechanical art for back cover of Portfolio, 1977. Portrait of Richard Bernstein. Richard Bernstein, Andy. Though the 32-year-old Bernstein had achieved some success with his paintings, the job skyrocketed him to the position of star illustrator and art director—not to mention one of Warhol’s right-hand men.
Cover of “I’m Not Perfect” 12-inch single, 1986. Courtesy of The Richard Bernstein Estate Archive. Artifice was not only desirable, it was paradise. Projects like these were inspired by Hollywood films like. Bernstein enhanced their best qualities, sometimes seeming to foresee their futures in the process. In the 1970s and ’80s, it seemed as easy as sitting for artist, Between 1972 and 1989, Bernstein was commissioned to decorate the publication with idealized paintings of both the hyper-famous and the up-and-coming—Michael Jackson, Rob Lowe, Madonna, and Bette Midler were just a few of the faces he painted for the magazine.
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