That's one of the best parts. At the height of his fame and cultural influence, he plots his sensational demise to escape, alienating his fans and falling into obscurity. The center of Velvet Goldmine is a bisexual love triangle modeled on the relationship of David Bowie and Iggy Pop. Velvet Goldmine, which was initially a much closer retelling of Bowie’s metamorphosis into Ziggy Stardust, follows journalist Arthur Stuart (Christian Bale) as he embarks on writing an article about the enigmatic, now reclusive, pop star Brian Slade (Jonathan Rhys Meyers), who planned a fake assassination of himself during a performance as his alien alter-ego Maxwell Demon. "Velvet Goldmine" is a movie made up of beginnings, endings and fresh starts. In real life Little Richard inspired the Beatles and Bowie, who in turn inspired many other bands. All three members of the band Placebo also appeared in the film, with Brian Molko and Steve Hewitt playing members of the Flaming Creatures (Malcolm and Billy respectively) and Stefan Olsdal playing Polly Small's bassist. In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by … Upon being fired, a desperate guy kidnaps a daughter of his former boss. [6] Eddie Izzard stars as Slade's manager, Jerry Devine. The band name "Venus in Furs" is taken from a song by Lou Reed's early band, The Velvet Underground, which itself was taken from Leopold von Sacher-Masoch's novel by the same name, which appeared on their first album. It wants to be a movie in search of a truth, but it's more like a movie in search of itself. High quality Velvet Goldmine gifts and merchandise. The film utilizes non-linear storytelling to achieve exposition while interweaving the vignettes of its various characters. I don't think I've ever seen a movie that has polarized people as much as this one, or at least very few. Although the character of Brian Slade is heavily based on David Bowie, Bowie himself disliked the script and vetoed the proposal that his songs appear in the film. It’s true that Velvet Goldmine was originally intended to be something biopic-like (in the loosest sense) about David Bowie’s Ziggy Stardust years … Despite a tongue-in-cheek opening that pays homage to 2001: A Space Odyssey and a disclaimer that warns that the film is “(mostly) fiction,” Stardust is a largely straightforward retelling of the events of Bowie’s first visit to the United States in 1971.This trip is generally considered to be a pivotal moment in his creative development. Review: 'Velvet Goldmine' sinks like a glam rock. Maxwell Demon was the name of an early band of Brian Eno, a long-time Bowie associate, whose music is heard at various points in the film. [9] It would ultimately gross $1,053,788 in North America and $3,259,856 internationally for a worldwide total of $4,313,644. It’s a … Use the HTML below. As each person recalls their thoughts, it becomes the introduction of the vignette for that particular segment in Slade's personal and professional life. London, 1971 - Flower Power is on the wane and floundering hippie troubadour Brian Slade feels old-fashioned and out of step until he experiences the raw power of rock musician and exhibitionist Curt Wild at a live concert. "[3], In a retrospective review, Slant Magazine's Jeremiah Kipp gave Velvet Goldmine four out of four stars and said that, although unsupportive critics may be "terrified of a movie with so many ideas", the film successfully shows a "melancholic ode to freedom, and those who fight for it through art", because of Haynes' detailed imagery and the cast's "expressive, soulful performances". Title: Some people have put down every single thing about it. Almost a decade has elapsed since Bowiesque glam-rock superstar Brian Slade escaped the spotlight of the London scene. Brian Slade's gradually overwhelming on-stage persona of "Maxwell Demon" and his backing band, "Venus in Furs", likewise bear a resemblance to Bowie's persona and backing band. Ruminations on the life of Bob Dylan, where six characters embody a different aspect of the musician's life and work. Template:Infobox Film Velvet Goldmine (1998) is a film directed and co-written by Todd Haynes.The film tells the story of a popstar based mainly on David Bowie's 'Ziggy Stardust' character and is set in Britain during the days of glam rock in the early 1970s.. David Bowie disliked the script and vetoed the proposal that his songs appear in the film. Smitten and inspired, Slade rises from the ashes of fussy brocade, reincarnating as the ambiguous pop-rock God/dess of platinum dust and phoenix feathers, Maxwell Demon. London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. A boy shoots his father and flies out the window. "[12] According to Peter Travers, "Haynes creates Velvet Goldmine...with a masturbatory fervor that demands dead-on details" and "fashions a structure out of Citizen Kane"; it's a film that "works best as a feast of sight and sound,...re-creating an era as a gorgeous carnal dream,...celebrat[ing] the art of the possible. The album Ziggy Stardust and the Spiders from Mars tells a similar story of a rock star gone over the edge, and culminates in his assassination. (I must embarrass myself here by noting, also, that Rhys-Meyers is so shockingly beautiful it's disgusting, like eating too much honey. As for it's structural resemblance to 'Citizen Kane', that was one of the points. Which was something the real Bowie used to do onstage with Mick Ronson. Thus, Slade's wife, Mandy (played by Toni Collette with the jittery, needy, scary mannerisms of Liza Minnelli), must be based on Angie Bowie. (1998). "[18] (Part 2), Ebert Presents: At the Movies: Episode #1.12. Velvet Goldmine takes a visual and narrative approach ... David Noh. In the meantime here is a compilation of reports and reviews about this movie and Glam. However, as producer of Lou Reed's 1972 Transformer album, his backing vocals (mainly consisting of "bum-bum-bum"s and "ooh-ooh"s) can be heard on "Satellite of Love". His father is concerned about the show's sexual influence, especially the boy's fascination with a spanking scene. The sudden reappearance of his best friend Toni, after a ten year absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion. Part of the story involves Stuart's family's reaction to his homosexuality, and how the gay and bisexual glam rock stars and music scene gave him the strength to come out. A passable if not perfect depiction of the glam rock era. I plan to buy it as soon as I can find it for sale. The film centers on Brian Slade, a sexually fluid and androgynous glam rock icon who was patterned after David Bowie, Jobriath and, to a lesser extent, Marc Bolan. What does Brian mouth to Curt in the recording studio that makes Curt so angry? The name of the lead character, Brian Slade, is an allusion to the 1970s glam band, Wild's backing band, The Rats, shares its name with one of, The scene where couples are shown walking into the Sombrero Club on New Year's Eve 1969 is similar to a shot of people entering a party from Welles' film, Maxwell Demon's guitarist shares his name, Trevor, with Bowie's, "Venus in Furs" is a reference to a Velvet Underground, Much of the script consists of quotations from various works of, The "pantomime dame" from the vaudeville troupe is played by influential dancer, The little girl on the train is reading ", "The Ballad of Maxwell Demon" contains the lyrics: "The boys from Quadrant 44 with their vicious metal hounds never come 'round here no more," referencing, The scene near the middle of the film that portrays Slade and Wild about to make love as, Padva, Gilad. Smitten and inspired, Slade rises from the ashes of fussy brocade, reincarnating as the ambiguous pop-rock God/dess of platinum dust and phoenix feathers, Maxwell Demon. Velvet Goldmine tells a story the way operas do: blazing with exquisite yet abstract passions, and with quite a lot to look at on the side. A USERS GUIDE TO VELVET GOLDMINE by Joshua Clover (Spin Online - AOL) FABLES OF THE SELF-CONSTRUCTION They're exactly who I was thinking about when I made Velvet Goldmine, but it just didn't get to them the first time around. In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild. She concurred, and we've both seen it again since. Rock shows, fashion, and rock journalism all play a role in showing the youth culture of 1970s Britain, as well as the gay culture of the time. "Velvet Goldmine" is a song by English singer-songwriter David Bowie. Jake Cole talks about Todd Haynes' ode to glam rock, "Velvet Goldmine," in this week's MUBI column. [8], The film opened in the United States on 6 November 1998 in 85 venues, earning $301,787 in its opening weekend and ranking sixteenth in the North American box office, and fifth among the week's new releases. Velvet Goldmine By Owen Gleiberman Updated November 06, 1998 at 05:00 AM EST As for me, when my roommate (who had already seen it) asked me what I'd thought of it I replied in all honesty, "I loved every single frame of it." Film Journal International ... Dec 24, 2012. It is from the album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars in 1972. Velvet Goldmine is a song written and performed by David Bowie. Brian Slade is an allusion to the glam rock band Slade. In it, Haynes thanks the fansites for helping him compile the notes for the commentary.[20]. Ewan McGregor has gotten plenty of slobbering, ecstatic praise from me in the past, and this only encouraged the worship. On the 10th anniversary of the character assassination, journalist Arthur Stuart investigates Slade's disappearance, forcing him to revisit his own confusing teenage identity crisis and rebirth mirroring that of his idol Brian Slade. As he gets closer to the truth of where Slade is now, Stuart is suddenly told by his editor that the story is no longer of public interest, and Stuart has now been assigned to the Tommy Stone tour, which coincidentally is Brian Slade's new identity. Rated R for strong sexual content, nudity, language and drug use, From ‘Hey Jude’ to ‘Speak Now,’ Music Supervisor Randall Poster Breaks Down Movie Song Choices, Cinetic Signs ‘Carol’ & ‘Halston’ Outfit Killer Films For Representation In All Areas, Michelle Williams to Play Peggy Lee in Biopic for Director Todd Haynes, Billie Eilish Eyeing EP Role, Which movie has the best soundtrack? But when he comes to the United States, he seeks out American rock star Curt Wild, and they become involved in each other's lives on a personal and creative level. They suffer breakdowns in both their personal and professional relationships. A man falls in love with a fellow inmate in prison. I suppose that not everyone can be expected to love this movie as much as I did, but I'm still a little surprised at some of the venom that's been spit at it. [16], Since its 1999 DVD release, the film has become a cult classic[17] and has been described as having "an obsessive following among younger audiences. To save himself, Bobby runs away and meets a strange old man who ... See full summary ». Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. The finished soundtrack includes songs by glam rock and glam-influenced bands, past and present. Another member of the Flaming Creatures, Pearl, was played by Xavior (Paul Wilkinson), former lead singer of Romo band DexDexTer and later a keyboard player for Placebo and Rachel Stamp. Glam rock was all about style as substance, finding truth through image. Keep track of everything you watch; tell your friends. Directed by Todd Haynes. All orders are custom made and most ship worldwide within 24 hours. Kinda makes you wanna puke on his shoes, doesn't it?) With Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette. - David Bowie (1998) More detail can be found in this section called Ziggy Stardust 2002 project. Bowie, who had moved to LA at the time of the release said later of the … ... At the heart of the film is Brian Slade (Jonathan Rhys-Meyers), an obvious stand-in for David Bowie. Based loosely on Bowie’s life with bits of Marc Bolan and Jobriath’s biography thrown in, Velvet Goldmine centers on Brian Slade (Jonathan Rhys … A more extensive selection of music was used for the movie soundtrack. The film is named after the David Bowie song "Velvet Goldmine," which, although originally recorded for the 1972 "Ziggy Stardust" album, wasn't officially released until 1975, becoming the B-side to the re-issue of the "Space Oddity" single which topped the UK Singles Chart. The English musicians who played under the name The Venus in Furs on the soundtrack were Radiohead's Thom Yorke and Jonny Greenwood, David Gray Band's Clune, Suede's Bernard Butler, and Roxy Music's Andy Mackay. The film is strongly influenced by the ideas and life of Oscar Wilde (seen in the film as a progenitor of glam rock), and refers to events in his life and quotes his work on dozens of occasions. On review aggregator website Rotten Tomatoes, the film has a 58% rating based on 45 reviews, with an average of 6.5/10. Club felt that Haynes' appropriation of structural elements from Citizen Kane is the film's "masterstroke", as it helps "evoke the glam rock movement without destroying the all-important mystique that sustains it." yeah, i think because velvet goldmine wasn't marketed as a biopic, but its own story based on SOME stuff that actually happened, no one was expecting there to be actual music by bowie (and the music we get in that movie is SO FUCKING GOOD). Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade. Velvet Goldmine - Il fan club italiano di David Bowie As a lover of glam rock, as a massively huge fan of David Bowie - not to mention Lou Reed, The Velvet Underground, Iggy Pop and all the others referenced in this film - I've read literally every biography on Bowie ever written, and If I haven't read every interview he's ever given, I've at least read most of them - going as far back as 1970. Velvet Goldmine takes pains to cover every phase in Bowie’s fashionable ascent to stardom Let’s start simple: Brian Slade (Jonathan Rhys Myers) is a stand-in for David Bowie. Eventually, Slade's career ends following the critical and fan backlash from his on-stage publicity stunt where he faked his own murder. For the song, see Velvet Goldmine (song). Against a $9 million budget, the film was a box office bomb. The film was nominated for the Palme d'Or at the 1998 Cannes Film Festival and won the award for the Best Artistic Contribution. Lyceum Theatre, Wellington Street, Covent Garden, London, England, UK. David Bowie is The Man Who Fell To Earth, is a film about a film - Nic Roeg's 1976 esoteric science fiction movie - The Man Who Fell to Earth, starring David Bowie. Eye" (Alexander, S. Asheton, R. Asheton, Osterberg Jr.) - performed by Wylde Ratttz, vocals by Ewan McGregor, "Ballad of Maxwell Demon" (Wedren, Shudder to Think) - performed by Shudder to Think, "The Whole Shebang" (Phillips) - performed by Grant Lee Buffalo, "Symphony No. The book, Barney Hoskyns's Glam!, is fine. Some of have criticized his role, but I think he did it just right, with a grand coldness. [3] Ewan McGregor co-stars in the role of Curt Wild, a genre-defying performer who doesn't back down from sex, nudity, or drugs on or off stage, and whose biographical details are based on Iggy Pop (who grew up in a trailer park)[4] and Lou Reed (whose parents sent him to electroshock therapy to 'cure' his homosexual feelings). Jean Genet (the subject of Haynes' previous film, Poison, and the putative inspiration for the title of Bowie's song "The Jean Genie") is referred to in imagery and also quoted in dialogue. [15] Scott Tobias of The A.V. Set in 1984, British journalist Arthur Stuart is writing an article about the withdrawal from public life of 1970s glam rock star Brian Slade following a death hoax ten years earlier, and is interviewing those who had a part in the entertainer's career. The critical consensus reads: "Velvet Goldmine takes a visual and narrative approach befitting its larger-than-life subject, although it's still disappointingly less than the sum of its parts". At the height of his fame and cultural influence, he plots his sensational demise to escape, alienating his fans and falling into obscurity. [2], Velvet Goldmine received mixed to positive reviews from critics. We discover Stuart was also at the concert where Slade faked his own death, and that after seeing Wild perform on another night, Wild and Stuart had a sexual encounter. The film, Todd Haynes's Velvet Goldmine, might abort the whole revival. A true songwriter would give his left testicle to smackdown lyrics as creamy. Bowie initially disapproved of the film and its many similarities with his life story, and threatened to sue, resulting in substantial rewrites to create more distance between the character and the real man. His alluring androgynous imagery and the seductive sounds his 'glitter rock' seduce teenagers across the world, offering refuge for the weird and unwanted with the promise of an everything-goes hedonism. Sandy Powell received a BAFTA Award for Best Costume Design and was nominated for an Academy Award for Best Costume Design. [10] Metacritic reports a 65 out of 100 score based on 25 critics, indicating "generally favorable reviews". Although the character of Brian Slade is heavily based on David Bowie, Bowie himself disliked the script[23] and vetoed the proposal that his songs appear in the film. Released in 1998, Todd Haynes’s Velvet Goldmine tells the story of Brian Slade, a composite of Bowie, Bolan, and early glam-rock star Jobriath. Haynes has said that the story is also about the love affair between America and Britain, New York City and London, in the way each music scene feeds off and influences each other. A group of teens adores forbidden music in Nazi Germany just before the outbreak of World War II. There isn't enough in between. ... Velvet Goldmine was a Bowie song. (Eddie Izzard steals every scene as a canny manager with the temerity of a young Oliver Reed.) A gender-queer punk-rock singer from East Berlin tours the U.S. with her band as she tells her life story and follows the former lover/band-mate who stole her songs. "[13] In a less enthusiastic review, Roger Ebert of the Chicago Sun-Times gave the film two out of four stars and found its plot too discursive and confusingly assorted because of how it "bogs down in the apparatus of the search for Slade" by clumsily using scenes from Citizen Kane. An artistic six-year-old boy in 1960s America is obsessed with The Dottie Show. "[19], A Blu-ray was released in Region A on 13 December 2011, and includes a newly recorded commentary track by Haynes and Vachon. 72–97 (Palgrave Macmillan, 2014, ISBN 978-1-137-26633-0). 122 of 151 people found this review helpful. Some may nitpick about how the characters were portrayed, but I think they were all apt. Why did he do what he did? View production, box office, & company info. Velvet Goldmine is a 1998 musical drama film directed by Todd Haynes and written by him and James Lyons.It stars Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, and Toni Collette; it costars Eddie Izzard, Emily Woof, and Michael Feast.It has music by Roxy Music, Brian Eno, and Lou Reed (though these are often covered by other musicians), among others, as well as original songs. Not everyone who leaves the theater will be able to pass a quiz on exactly what happens. [5] Also featured are Christian Bale as the young glam rock fan and reporter, Arthur Stuart, and Toni Collette as Slade's wife, Mandy, who is based on Bowie's first wife, Angela. Two angels are sent to Earth to check if love is possible in this case. Verloc has made his living spying for the Russian government, an agent ... See full summary ». [14] David Sterritt from The Christian Science Monitor wrote "The music and camera work are dazzling, and the story has solid sociological insights into a fascinating pop-culture period. The vignettes show both Wild and Slade becoming increasingly difficult to work with as they become more famous. Velvet Goldmine is a rollicking good ride, thanks to Todd Haynes’s haunting, colorful, and poetically vivid images and expressive, soulful performances from the entire cast, which includes Toni Collette as Slade’s trend-shifting wife. Was this review helpful to you? You must be a registered user to use the IMDb rating plugin. On the 10th anniversary of the character assassination, journalist Arthur Stuart investigates Slade's disappearance, forcing him to revisit his own confusing teenage identity crisis and rebirth mirroring that of his idol Brian Slade. The American musicians who played as Curt Wild's Wylde Ratttz on the soundtrack were The Stooges' Ron Asheton, Sonic Youth's Thurston Moore and Steve Shelley, Minutemen's Mike Watt, Gumball's Don Fleming, and Mark Arm of Mudhoney. From the iconic to the eclectic, relive the most memorable moments from the Oscars red carpet. Velvet Goldmine is a 1998 musical drama film written and directed by Todd Haynes from a story by Haynes and James Lyons. An affluent and unexceptional homemaker in the suburbs develops multiple chemical sensitivity. General Commentkatthikarioftheturks... velvet goldmine came out in '98 or '99, and its title came FROM this CLASSIC (meaning MUCH older) bowie song.the movie is a thinly veiled "fictional biography" of david bowie, and the only reason you don't actually *hear* this song in the movie is that bowie refused to allow his songs to be used in the film, much to its makers' chagrin. We never know. Eye" (The Stooges cover) (, Shudder to Think: "Ballad of Maxwell Demon" (Based on David Bowie's ", Grant Lee Buffalo: "The Whole Shebang" (Based on David Bowie's ", Pulp: "We Are the Boys" (Cocker, Banks, Doyle, Steve Mackey, Webber) – 3:13, Teenage Fanclub & Donna Matthews: "Personality Crisis" (New York Dolls cover) (, Lou Reed: "Satellite of Love" (Lou Reed) – 3:41, The Venus in Furs (vocals by Thom Yorke): "Bitter-Sweet" (Roxy Music cover) (Andy Mackay, Ferry) – 4:55, The Venus in Furs (vocals by Jonathan Rhys Meyers): ", "Needle in the Camel's Eye" (Eno, Manzanera) - performed by Brian Eno, "Hot One" (Larson, Shudder to Think) - performed by Shudder to Think, "People Rockin' People" (Larson) - performed by Nathan Larson, "Avenging Annie" (Andy Pratt) - performed by Andy Pratt, "Coz I Love You" (Noddy Holder, Jim Lea) - performed by Slade, "The Fat Lady of Limbourg" (Eno) - performed by Brian Eno, "Band of Gold" (Ronald Dunbar, Edythe Wayne) - performed by Freda Payne, "2HB" (Ferry) - performed by The Venus in Furs, vocals by Thom Yorke, "T.V. Jonathan Rhys-Meyers is, as Brian Slade, a glittering void, as cloaked in mystery at the end as he was at the beginning. Taking its title from a David Bowie B-side, Velvet Goldmine is Hayne’s dramatic love letter to glam rock, evolving sexuality and the weight that the past can bear. One believes that only such a creature could be the idol of an era that was, in the end, about glittering emotional voids and icy hipness. Haynes retooled the … And VELVET GOLDMINE – a diabolical, Bowie-esque, Wilde-ian fantasm – veritably pulsates with this species of lascivious mind-painting. Little Richard has also been cited by Haynes as the inspiration for Jack Fairy.[7]. 6 in A Minor" (Gustav Mahler) - performed by Czech Philharmonic Orchestra, "Get in the Groove" (James Timothy Shaw) - performed by The Mighty Hannibal, "Ladytron" (Ferry) - performed by The Venus In Furs, vocals by Thom Yorke, "We Are the Boys" (Cocker, Banks, Doyle, Mackey, Webber) - performed by Pulp, "Cosmic Dancer" (Bolan) - performed by T. Rex, "Virginia Plain" (Ferry) - performed by Roxy Music, "Personality Crisis" (Jahanson, Thunders) - performed by Teenage Fanclub & Donna Matthews, "Satellite of Love" (Reed) - performed by Lou Reed, "Diamond Meadows" (Bolan) - performed by T. Rex, "Bitters End" (Ferry) - performed by Paul Kimble, "Baby's on Fire" (Eno) - performed by The Venus in Furs, vocals by Jonathan Rhys Meyers, "My Unclean" (R. Asheton, Mark Arm) - performed by Wylde Ratz, vocals by Ewan McGregor, "Bitter-Sweet" (Mackay, Ferry) - performed by The Venus in Furs, vocals by Thom Yorke, "20th Century Boy" (Bolan) - performed by Placebo, "Dead Finks Don't Talk" (Eno) -performed by Brian Eno, "Tumbling Down" (Harley) - performed by The Venus in Furs, vocals by Jonathan Rhys Meyers, "2HB" (Ferry) - performed by The Venus in Furs, vocals by Paul Kimble, "Make Me Smile (Come Up and See Me)" (Harley) - performed by Steve Harley & Cockney Rebel, The film's title takes its name from David Bowie's ", The film's disclaimer reads "Although what you are about to see is a work of fiction, it should nevertheless be played at maximum volume," an allusion to Bowie's. More Movies News. ... is sponsoring Movie Mezzanine. The tale strongly parallels Bowie's relationships with Reed and Pop in the 1970s and 1980s. London, 1971 - Flower Power is on the wane and floundering hippie troubadour Brian Slade feels old-fashioned and out of step until he experiences the raw power of rock musician and exhibitionist Curt Wild at a live concert. One scene in which Slade, while on stage, gets down on his knees and goes after a bandmate's guitar in a way simulating oral sex. Eye" and "Gimme Danger", and Teenage Fanclub and Donna Matthews cover the New York Dolls' "Personality Crisis". The Venus in Furs covers several Roxy Music songs with Thom Yorke channeling Bryan Ferry on vocals,[25] Placebo covers T. Rex's "20th Century Boy," Wylde Ratttz and Ewan McGregor cover The Stooges' "T.V. It's heavy on metaphors, which seems to have annoyed a lot of people. [11], Janet Maslin, having seen the film at the New York Film Festival, made it a "NYT Critics' Pick," calling it a "dazzlingly surreal" rock version of "Citizen Kane with an extraterrestrial Rosebud" and saying it "brilliantly reimagines the glam rock ‘70s as a brave new world of electrifying theatricality and sexual possibility, to the point where identifying precise figures in this neo-psychedelic landscape is almost beside the point. Brian Eno: "Needle in the Camel's Eye" (Brian Eno, Placebo: "20th Century Boy" (T. Rex cover) (, The Venus in Furs (vocals by Thom Yorke): ", Wylde Ratttz (vocals by Ewan McGregor): "T.V. Gilad, Queer Nostalgia in Cinema and Pop Culture, pp is Brian Slade ( Jonathan Rhys-Meyers ) an. Boy 's fascination with a fellow inmate in prison Jonathan Rhys Meyers, Christian Bale, Toni Collette April. Reviews from critics artistic six-year-old boy in 1960s America is obsessed with the temerity of a truth but! 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