Production-wise, be sure that your submissions are competitive with the references and others like them. Your submissions should have generally similar authentic instruments, rhythms, melodies, and lyrical concepts heard in the references above. Taxi is not as good as their previous songs, but at least SNSD hasn’t lost their energy and charisma. POSITIVE, INSPIRING PIANO-Based INSTRUMENTAL CUES are needed by a hard-working Music Library that’s always landing placements in TV Shows, Film projects, and Movie Trailers! All submissions will be screened and critiqued by TAXI.
Please submit as many Songs as you’d like, online or per CD.
Music Industry Videos. The specific deal points will be negotiated on a Song-by-Song basis directly with the Publisher. It's time to fill up your queue. Lots of ORIGINAL, TRADITIONAL MARIACHI SONGS with Male or Female Vocals are needed by a U.K. Music Licensing Company with GREAT Worldwide Distribution and lots of awesome placements in Film and TV! The specific deal points will be negotiated directly with the Producer on a Song-by-Song basis.
They’re on the hunt for a range of Instrumental Cues in various styles.
23 more photos, Javascript is required to view shouts on this page. You’ll split all upfront sync fees 50/50. All submissions will be screened and critiqued by TAXI. They’re looking for talent that would appeal to fans of artists like: "The Most Beautiful Thing" by Bruno Major.
They want to hear Instrumental Cues that have youthful and modern elements (e.g.
Please send them vintage recordings of original (no covers) Grunge Songs that were recorded between 1990 and 1999. Give them well-produced, current-sounding Country Songs with a ton of mainstream appeal.
Non-faded, buttoned endings will work best. You'll split all upfront sync fees 50/50.
Thank goodness the rest of the chorus is not the same word over and over again, or I doubt I will stay till the end. Broadcast Quality is needed.
TAXI ROAD RALLY - The Happy Ending Pitch and Feedback Panel – Songs (from TAXI MEMBERS only) will be played for: Michael Lloyd (Multi-Platinum Producer/Music Supervisor), Rob Chiarelli (Grammy-winning Mixer/Producer and Publisher), and Pedro Costa (Music Licensing Executive).
Submissions must be received no later than 11:59 PM (PDT) on Sunday, October 11th, 2020. You must own or control your Master and Copyright to submit for this opportunity. Don't forget about those exciting drop sections commonly found in Future Bass tracks, either! TAXI # S201021CL.
cool drum sounds and well-programmed synth textures/patterns). Taxi is not really a dance or electronica track in the first place.
You’ll keep 100% of the Writer’s share of performance royalties and the company will get 100% of the Publisher’s share. Your submissions should have generally similar authentic instruments, rhythms, and melodies heard in the references above. Although the references have vocals, please submit Instrumental Cues only for this pitch. They're STILL on the hunt for Up-Tempo Songs that are in the general stylistic ballpark of (but not limited to) the following references: NOTE: They do not want Acoustic-based tracks. You’ll get 100% of the Writer’s share, and the Publisher will get 100% of the Publisher’s share. Your production can range from simple, stripped-down performances to more filled-out productions. We don’t recommend using virtual instruments for this pitch unless you are extremely masterful and your virtual instruments sound indistinguishable from the real thing. USA, "If it weren’t for TAXI, I wouldn't have a six-figure music career. CONTEMPORARY GOSPEL/SPIRITUAL-Flavored SONGS with Male or Female Vocals are needed by a successful Music Licensing Company with a GREAT track record of placements in Film and TV! Imagine the kind of music you'd hear in sports recaps on ESPN – that's what they're looking for! All submissions will be screened and critiqued by TAXI. A Wide Range of ORIGINAL, TRADITIONAL BRAZILIAN SONGS with Male or Female Vocals is needed by a U.K. Music Licensing Company with GREAT Worldwide Distribution and lots of awesome placements in Film and TV!
Your submissions should have an undeniable edginess to them accompanied by engaging rhythms, solid musicianship, authentic-sounding Rock band instrumentation.
TAXI # S201024ES. Your submissions should have generally similar authentic instruments, rhythms, melodies, and lyrical concepts heard in the references above. "I have thousands of TV placements, a gold record, and a very substantial royalty stream thanks to TAXI." Broadcast quality is needed. Please submit as many Songs as you like, online or per CD, and please include lyrics! Although the references have vocals, this request is for Instrumental Tracks only! Film & TV Music Supervisors Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 8th, 2020. Non-Faded, buttoned/stinger endings will work best. Because of the references given, we think polished production with mostly organic instrumentation is the way to go for this pitch. They want Cues that can be emotionally uplifting to viewers – give them that, and you could be on the right track! paired with some cool modern ear candy could do the trick – just be sure that any software instruments or samples you use are current-sounding and high-quality, not dated, obviously MIDI-driven, or overly quantized. "One of my TAXI relationships resulted in a placement on Empire."
Please do not send material for this pitch that has already been signed to other libraries or catalogs. Submissions must be received no later than 11:59 PM (PDT) on Monday, October 26th, 2020. TAXI's reputation and member success stories are second to none.
Please do not copy the referenced music in any way, shape, or form. Our A&R team will have a simple mandate: Is it GREAT? You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. TAXI # S201008NR. But I probably like it a little bit more.
Broadcast Quality is needed. Any sync licensing fees are split 50/50. Please submit as many Songs as you’d like, online or per CD. Submissions must be received no later than 11:59 PM (PDT) on Thursday, October 22nd, 2020. Submissions must be received no later than 11:59 PM (PDT), on Wednesday, October 28th, 2020. Do NOT copy the referenced artists or songs in any way, shape, or form.
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