to live and die in la shout factory
In his first-ever documentary, Psychomagic, a Healing Art, Jodorowsky, near 90 at the time of filming, offers up a moving, visually striking exploration of the unconventional psychotherapeutic techniques that he’s developed over a lifetime spent reading tarot cards and studying various psychological systems and an astonishing variety of Eastern and Western spiritual practices. Spare offices, alternately bustling and desolate streets, harbors, and cramped low-income housing inform this film with a quiet and consistent urgency, illustrating in direct physical terms the class tensions that drive the plot. Where Popeye accidentally kills another officer in his monomaniacal pursuit of the drug kingpin “Frog One,” who nonetheless ultimately eludes capture, Chance actively pursues his own annihilation out of sheer hubris and contemptuous disregard for the rules. But Vitalina’s long reflections on her thwarted dreams and her husband’s broken promises and lack of fidelity, drawn from some of the real Varela’s experiences, are shot through with tremors of suppressed rage and anguish that are rare across Costa’s calculatingly stoic filmography. Like Friedkin’s earlier film, To Live and Die in L.A. cannily blends quasi-documentary procedural realism with an unpredictable modernist sensibility.
While the transfer leaves a lot to be desired, it’s thrilling to have Sekigawa’s little-seen drama finally available on Blu-ray for the first time. In the first of two archive interviews from 2006, film professor Dana Polan offers the best criticism to be found in these extras, suggesting that The Naked City’s “blandness” is a direct response to the existential crises facing many men who returned from World War II only to feel like anonymous cogs in machines. The film’s inciting incident, the murder of a model named Jean Dexter, is motivated by the usual mixtures of greed and sexual longing that one often expects of the murder mystery genre, but the revelations have no troubling or erotic charge. Much like Alain Resnais’s Night and Fog warns of the horrors in forgetting human atrocity, Hideo Sekigawa’s Hiroshima uses its reenactment of the United States’s 1945 bombing of Nagasaki and Hiroshima to call for an end to the development of atomic and nuclear weaponry. In making an American film the thing that awakens Endo’s consciousness with regard to personal responsibility, Hiroshima complicates its more rote expressions of unthinkable tragedy by acknowledging how art—and especially the movies—can cross borders and constructively shape hearts and minds. Wang Chung composed and performed the original music soundtrack. Cast: William Petersen, Willem Dafoe, John Pankow, Debra Feuer, John Turturro, Darlanne Fluegel, Dean Stockwell, Steve James, Robert Downey Sr., Michael Greene, Christopher Allport, Valentin de Vargas, Dwier Brown, Gerald Petievich, Jane Leeves Director: William Friedkin Screenwriter: William Friedkin, Gerald Petievich Distributor: Shout! This release brings much-needed attention to Berry’s tender portrait of black love and the failures of the welfare system. It’s the thoughtful manner in which Claudine juxtaposes the harshness of existing in a state of poverty with the simple, often fleeting pleasures of life that makes it such a fascinating and unique film.
Mamoulian, who had been a fantastically successful theater director in New York, was wooed by Hollywood to make his first film, Applause, in 1929.
The Batorys are small-town folks who resented Dexter’s attraction to the “fast” city, and Mrs. Batory seems particularly steadfast in her assertion that Dexter deserved her fate. This article contains several comparisons which contrast the older MGM/Fox Blu-ray transfer with the new Shout Factory 4K restoration.
Here, the film’s structural and technical ambitions are usurped by a scene that frankly acknowledges the tolls of death. And it’s only the first sublime moment in a film that tiptoes lighter than air for its entire running time. The more spiritual aspects in Jodorowsky’s works are almost always depicted through a symbolic death and rebirth, never more literally than in this film. Munsey mans a machine gun on top of the central tower of the prison, finally asserting his latent will to kill openly, even while his power goes up in literal flames. Carried over from the earlier Fox releases are the sharp and articulate commentary by Friedkin, the half-hour documentary “Counterfeit World: The Making of To Live and Die in L.A.,” and a deleted scene and an alternate ending. The 1985 crime thriller is getting a special Blu-ray edition. Some viewers will be understandably suspicious of Friedkin’s openness to punching up the colors, but thankfully there’s not that level of revisionism here. Finally, Leonard Maltin provides a short intro in which he gushes over the film and its charming actors. El Topo comes with both Spanish Master Audio mono and surround (as well as the aforementioned English dub in Master Audio mono). By contrast, this seminal 1947 production is set in a prison and features characters who are already paying for their indiscretions. Now doing duty as a shaven-headed monk, El Topo enters a desert town, hoping to be of some service, only to find the place entirely given over to exploitation, cruelty, and corruption. With The Holy Mountain, those psychedelic colors appear more deeply saturated, and grain levels look well-regulated. Shout Select’s Collector’s Edition of To Live and Die in L.A. will be available on November 22. Log in sign up. Trending price is based on prices over last 90 days. Though set pieces in Love Me Tonight are as abundant as they were in Mamoulian’s earlier films, their frothiness (and the acknowledgement of the diversion-based nature of the plot) allows them to snuggle into the fabric of the film in a much less stilted manor than Applause.
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